With great joy, I share that I have been organising and curating this year’s Graukunst exhibition, the visual arts programme of Grauzone Festival—an interdisciplinary festival dedicated to underground music, film, and art. Having been part of the organisation since its early beginnings, it remains deeply rewarding to witness how these practices come together each year, strengthening the community and expanding its reach.
This year’s exhibition focuses on the feedback loops between bodies and machines, drawing inspiration from Electronic Body Music (EBM), in which synthesisers and moving bodies operate as a single system. Together, they create an exhilarating, hypnotic experience in which organism and machinery merge, producing altered states of awareness. Rhythm, sweat, control, and the loss of control drive these dynamics.
The artists in this exhibition work precisely within this terrain: transforming the body into a machine, and manipulating machines to behave like bodies. At a moment when digital technologies are no longer optional but an unavoidable reality, Graukunst reflects on society as a vast interconnected system in which we are both operators and components. In the spirit of punk and resistance that underpins Grauzone, the exhibition invites us to move, to dance, and to momentarily disrupt the system—finding freedom through rhythm, collectivity, and embodied experience.
See the whole program here:
https://www.grauzonefestival.nl/graukunst-body-machine